The monastery is built in the southern part of the settlement and is not in contact with the lake. The historical data for the monastery is minimal. The original building of the church, which probably dated in the late Byzantine period, was destroyed by the sultan’s troops, in 1821-22. In the sanctuary frescoes are preserved depicting Virgin Mary in the arch, the Lamentation in the Prothesis, and the Ascension on the north wall and the Pentecost on the south. According to the inscription preserved on the south side of the sanctuary, the frescoes are made by Theodosios and his son Constantinos from Ioannina, who had also painted the sanctuary of the cathedral of Ioannina. The frescoes in the nave were made in 1918 and have been attributed to the painter Polycarpos Anastasiou from Chioniades Konitsa.
The relics of the monastery include some liturgical books of the 17th-19th century and a cross sanctification of gold plated silver, since 1821.
In the area around the monastery the visitor encounters remains of the fortifications of Ali Pasha, during the siege of the sultan’s troops in 1822 as well as parts of Turkish artillery of Bizani, which formed the defensive web during the siege of the city by the Greek army in 1913.
The church was rebuilt a few years later, probably with the contribution of the guild of furriers, who had custody of the monastery during the second half of the 19th century. The new building incorporated the remains of the older church. The church of the monastery includes a single-room church with a wooden roof, a closed narthex to the west with a well and small cell built south of the narthex.